Pam Galvani

La Malagua

2011-02-28T18:34:00.000-08:00

A trip to Mexico in the middle of a Seattle winter is always good, but I had an especially fabulous time a few weeks ago as part of a group of artists from Pratt who worked with the super-creative artists of La Malagua in Puerto Vallarta. I made prints, cut, pasted, colored, painted, lettered, and generally let my imagination have free rein in creating some fun books by week's end.

Here are pictures of four spiral books I made with the theme "Este es el lugar donde todo se conecta" -- "This is the place where the connection happens." I took the words from one of the Mexican artists of La Malagua, Fernando Sanchez, as he was describing that a book should be a vessel for the ideas it contains. I was working with images and colors I saw around me in Puerto Vallarta to consider the union of earth, sky, sun and sea. The spiral proved a perfect symbol for my experience of Puerto Vallarta in February.

Here are a few more pictures from the workshop week. I loved it!

Bella Venezia

2010-10-20T18:10:00.000-07:00

I returned last week from 10 amazing days in Venice, where I was a participant in a calligraphy workshop taught by Monica Dengo. Monica is an inspired teacher and brilliant artist who has collaborated with the Correr Museum on Piazza San Marco to curate a remarkable exhibit entitled The Poetics of Written Space.

The opening party was a star-studded event with some of the absolute "greats" of the contemporary calligraphy movement, including Ewan Clayton, Birgit Nass, Kitty Sabatier and Satzuki Hatsushima. To see a video of the opening party go to http://www.monicadengo.com/288.html.

The course moved rapidly from a look at the movements and gestures involved in personal handwriting to the patterns of making handwriting truly free and rhythmic. By the end of the week Monica encouraged us to make our own marks and to experiment with various tools. Here I am using a cola pen and Sumi ink playing with a variety of marks.

As the week progressed the students created four books filled with the week's work. These books are currently on display as part of The Poetics of Written Space exhibit at the Correr. Here is my friend Carla Tenret looking over some of the books we made.

Additionally, we had time in the library to handle and study books and letters from the 13th through 19th centuries. This was a remarkable experience and provided me with a basis for understanding further the concept of developing a personal approach to my lettering.

Perhaps the best part of the week was making new friends from many European countries. Discussing ideas about lettering over dinner only added to the rich experience of the class. This class was a significant opportunity in every way.

We had fairly good weather during the course, but the surprise for many of us was a couple of days of high water. The alarms sound, the water rises, and people wade on through the risen lagoon to get to activities. Here I am putting on my boots, so that I can go outside.

Larry Calkins is my hero!

2010-09-21T08:21:00.000-07:00

I highly recommend the work/blog/inspirations of artist extrordinaire Larry Calkins. See the work of
Larry Calkins at http://calkinsart.com/photography/and at http://calkinsart.com/. When I first met Larry at a workshop in Seattle at Pratt, I was overwhelmed by his creative spirit. And I continue to be amazed by his abilities to help other artists see the world in whole new ways every day. Larry and his colleague and artistic goddess Kamla Kakaria continue to be primary mentors/critics/shamen for me as I travel on the artistic path.

Larry's mantra is "notice what you notice." His sketchbook work is especially revelatory. One lucky group is about to go with Larry to Italy to notice what they notice and to soak up some Italian sun. See information at http://sketchbookit.wordpress.com/about/ Buon viaggio!

Monotypes from my press

2010-09-21T07:13:00.000-07:00

Color is an important element for me for exploring the limits of space and meaning on the page.

More work in color

2010-09-21T06:59:00.000-07:00

2010-08-28T12:32:00.000-07:00

I sat in at an excellent artist's talk last Saturday at the Cullom Gallery in Seattle. I had seen the work of the exhibiting artist, Eva Pietzcker, last year when she last had a show at this wonderful small gallery which focuses on Japanese-inspired prints. Although she is German, Eva has been on a remarkable quest to develop her understanding of the Asian tradition in her woodblock prints. Her work is fresh, fluid and inspiring. She is passionate about being herself in her work. To see a few of her prints, check out the Cullom Gallery site: http://www.cullomgallery.com
or look at her website: http://www.pietzcker.de/en/druckgraphik.aspx

Bauhaus

2009-12-04T00:07:00.000-08:00

My husband and I recently made a fun trip to NYC, where we were fortunate to see the marvelous Kandinsky exhibit at the Guggenheim (the perfect venue for this show!) and the fascinating Bauhaus exhibit at the MOMA. Each show was the perfect complement to the other.

Speaking of complementary associations, here I am wearing basic black and a red cast (to set two broken fingers) in front of that terrific gray and red Bauhaus introductory sign.

Two shows opening this weekend!

2009-12-02T14:18:00.000-08:00

This weekend I'll be taking part in two group shows. One is at the Marge Williams Center on Bainbridge Island. The theme for the show is "Wings." My work is represented by the image in the top row second from the left.

http://www.bicomnet.com/margewilliams/marge.htm

Also, this weekend I am part of a group show of printmakers at Fremont Abbey in Seattle. I was invited by fellow printmaker Christina Malm to be part of a fun four-day show featuring the work of several area artists.

http://www.fremontabbey.org/

Recent show of my large format work

2009-12-02T13:50:00.000-08:00

http://www.nwencaustic.com/portfolio-galvani.html Please view pieces from my recent show at the exciting studio gallery Northwest Encaustic in West Seattle. My work showed there during the month of October, 2009. These pieces combine my love for the gesture of writing with my monotype color experiments. My way of working alternates between direct writing on the paper and printing using the press, building layer upon layer of inks, paints, chalk, etc.